"Chamberlain’s efforts to run an aloof but flexible foreign policy on this issue came under sustained attack from his die-hard Cabinet colleagues, such as Joynson-Hicks, Churchill and Birkenhead. The first issue relating to Russia which the new government confronted was the accusation by some hardliners, such as the Home Secretary, Joynson-Hicks, that Russia were fomenting unrest in China, and thereby threatening British interests. Chamberlain’s reaction was to be cool but proper to Moscow. He observed that ‘it would be very inexpedient to provoke a controversy with the Soviet Gov[ernmen]t if it can be avoided, and that the less attention we pay to them the more anxious they will be to come to terms with us’. He advised the cabinet that Britain’s policy should be ‘to keep the formal relations as distant as possible’. Chamberlain’s success at Locarno in 1925 helped to establish his ascendancy in foreign policy, and to diminish the influence of these die-hards. Chamberlain’s intellectual vision of British foreign policy was based on a return to traditional British responses. It is perhaps significant that Chamberlain installed a portrait of Castlereagh, who had conducted a similar policy, in the new Locarno Suite at the Foreign Office, as the presiding deity in British foreign affairs. The Locarno agreements were the result of the return of balance of power policy towards Western Europe."